![]() Also, for the lo-fi underwater dub sound you will need to put the space echo into the master bus, adjust the sound so that inputs are all the way up into the reverb/echo, while the dry sound is turned down, but at the same the the reverb and echo volume should be turned to a low level so that snare drums and such do not "explode" or "shotgun." The main idea is to immerse all of the sounds in the reverb and/or echo, without creating any overt effects. Tip for those interested: don't apply these plugins directly to an instrument or audio track, but run it through an AUX return/send, because they tend to work very differently according to input & output levels which you will need to fine-tune. The Mu-Tron effects pedals included: Mu-Tron III, Mu-Tron Phasor, Phasor II, Bi-Phase, Dan Armstrong effects, Octave Divider, Micro V, Mu-Tron Vol-Wah. ![]() ![]() Two review authors (LR and AA) assessed the risk of bias for each. If you combine that with GSi's Roland Space Echo plugin (or better the UAD version), you may have a chance to reproduce that Lee Perry Black Ark sound in a digital context. Comparison 1 Collagen-based VCD versus manual or mechanical compression (sheath size. Audio Damage has a plugin that does a great job of emulating the original Bi-Phase, though like any emulator it is not really the same thing at all.
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